Art Brokerage: Barbara Gluck (born 1938)is an American photojournalist, art photographer, speaker, writer, and healing facilitator. After an early career in advertising she spent almost four years in Vietnam, during the war, and produced award-winning photojournalism during the Vietnam War. During the late 1970s she developed her career as a major art photographer, with her "Light Painting" series becoming major Museum Shows. In the early 1980's she co-founded The Light Institute of Galisteo,in New Mexico, which became famous for its cutting edge "Past Life" work. In the late 1980's Gluck went on to found The Global Light Network and The Soul Matrix Clearing, Healing and Empowerment System, which focused on releasing "The Primordial Imprints of Separation from God". She has taken this powerful work around the world. Gluck was born in New York, the daughter of Hungarian immigrants. Her father worked as a diamond setter. She graduated from NYU with a major in communication arts and a minor in journalism, entering a career in advertising with McCann Erickson and later Benton & Bowles, before the president of the Young & Rubicam agency hired her as a Special Advisor. Her career as a photojournalist began in earnest during the Vietnam War. She was based in Saigon 1968/69 and 1972/73, working mostly for The New York Times. In 1976 she moved to Santa Fe, New Mexico and began her work as an art photographer. Gluck was one of numerous female photographers to cover the Vietnam War. During these detachments she both flew with the US military on a B-52 bombing mission and visited Viet Cong troops, whom she photographed for the cover of the New York Times. Mark Edward Harris, in art photography periodical B+W magazine, said "Barbara Gluck's photos have been called 'the Cartier-Bressons of the Vietnam Ward', and rightly so." In spring 2005, to mark the 30th anniversary of the war's end, the Vietnamese government invited her to participate as a keynote speaker at a "Conference of Reunion and Reconciliation" for contemporary Vietnamese journalists and for foreign journalists who had covered the war. She was also invited to speak at another conference, on "The Role of Journalism in the Development of Vietnam." During the visit she photographed images for a forthcoming book, Vietnam: Then and Now, commissioned to include both her black and white images from the 1970s and new images in color. In early 2005, the J.P. Getty Museum in Los Angeles purchased a portfolio of her vintage Vietnam prints for their permanent collection, and included one of her photographs in the exhibit “Pictures for The Press”, representing 35 iconic images of historic events between 1940 and the 1970s.