Certificado de Autenticidad: Art Brokerage

Enmarcado con Plexiglás

Firmado a Mano

Procedencia / Historia: Private collection, CT.

Numero de Edición: Original

Certificado de Autenticidad: Art Brokerage

No Enmarcado

Firmado a Mano Signed upper right

Procedencia / Historia: Personal drawing of my brother and sister produced by Romero Britto as a gift in South Beach, Florida.

Numero de Edición: Original

Certificado de Autenticidad: Art Brokerage

Enmarcado con Plexiglás

Firmado a Mano

Procedencia / Historia: By descention from family member who was the original owner.

Precio de Galería: $50,000 USD

Certificado de Autenticidad: Art Brokerage and The Carlos Almaraz Estate

No Enmarcado

Firmado a Mano

Procedencia / Historia: This pastel was created and hung in the artists Hawaiian home. It was featured in L.A. Style Magazine in 1988 and the pastel was part of the artists private collection. The figure on the lower right hand side is the artist himself.

Numero de Edición: Original

Certificado de Autenticidad: Art Brokerage

No Enmarcado

Firmado a Mano Signed in charcoal

Procedencia / Historia: Purchased from the artist in the 1980's, the seller used to work with the artist. These drawings represent his first foray into the world of drawing. He was actually taking his first studio drawing class when these drawings were concieved. Sellr has owned them continuosly since then. This is an original drawing not a print.

Precio de Galería: $27,500 USD

Numero de Edición: Original

No Enmarcado

No Firmado

Procedencia / Historia: This drawing has been in seller's family for over a 100 years, it represents their grand aunt who was Diego Rivera's teacher. She was years older than Diego, but he had a crush on her. Private collection. Paperwork upon request.

Certificado de Autenticidad: Art Brokerage

Enmarcado con Vidrio Gold Frame

Firmado a Mano

Procedencia / Historia: Original drawing could be a set with

Precio de Galería: $48,000 USD

Certificado de Autenticidad: Art Brokerage

Enmarcado con Vidrio Gold on black matte

Firmado a Mano

Procedencia / Historia: This could be a set with

Precio de Galería: $48,000 USD

Numero de Edición: Original

Certificado de Autenticidad: A certificate by Maya Picasso

No Enmarcado Black moulding

Firmado a Mano Signed by the artist in black ink

Procedencia / Historia: Title: Tete de Faune, 1955 ; Medium: Original Drawing, 1955, in black ink, on an envelope which shows a Picasso Vallauris poster with a horned ram and headed Musee de Vallauris, signed and dated by the artist top right. Reference: Not in Zervos or Picasso Project Size: 113 x 144 mms, (4.41 x 5.62 inches Authenticity: A certificate by Maya Picasso, daughter of the artist, accompanies this work. This certificate is universally recognised as conferring authenticity on works by the artist.

Numero de Edición: Original

Certificado de Autenticidad: Hirschl and Adler Galleries, New York, NY

Enmarcado con Vidrio Original gold frame

Firmado a Mano Lower right

Procedencia / Historia: In the possession of the artist, until 1967, to his widow, Jo Hopper, until 1968, to a private collection until 2005, then to the present owner.

Precio de Galería: $65,000 USD

No Enmarcado Mounted on linen

Firmado a Mano

Procedencia / Historia: It was removed from subway by former owner. The seller has a letter from the owner attesting to the details of the removal of this painting.

Precio de Galería: $45,000 USD

Numero de Edición: Original

Certificado de Autenticidad: Center Art Galleries-Hawaii Inc.

Enmarcado con Vidrio Original museum-quality frame of wood & gold trim

Firmado a Mano Signed and dated lower right

Procedencia / Historia: This drawing is a caricature of Lucille Ball. The 'linen' was the original prototype for the original oil on canvas version of the same name, plus the entire limited edition lithograph on canvas series in 1986.

Numero de Edición: Original

Certificado de Autenticidad: Hirschl and Adler Galleries, New York, NY

Enmarcado con Vidrio Silver frame

No Firmado Unsigned

Procedencia / Historia: The artist until 1967, to his widow, Jo Hopper until 1968, to private collection until 2003, then to the present owner. Exhibition: Provincetown Art Association and Museum, June, 2010. Displaying his early interest in geometry and architectural motifs, the sketch captures the essence of the city street with a minimum of detail. In his 1930 oil painting Early Sunday Morning, Hopper transformed the diagonal orientation of the two-story shop fronts to a direct parallel view of the same buildings. In the oil, the morning light casts long shadows, which are barely hinted at in the charcoal drawing.

Precio de Galería: $70,000 USD

Numero de Edición: Original

Certificado de Autenticidad: Thurston Royce Gallery of Fine Art, Ltd.

Enmarcado con Vidrio Matted and mounted in dark wood frame

No Firmado

Procedencia / Historia: Catalogue No. 23b in

Precio de Galería: $75,000 USD

Numero de Edición: Original

Certificado de Autenticidad: Hirschl and Adler Galleries, New York, NY

Enmarcado con Vidrio Dark wood frame

Firmado a Mano Signed, dated and inscribed 'Alone'

Procedencia / Historia: The artist, until 1967, to his widow, Jo Hopper, until 1968, then to a private collection until, 2003, then to the current owner. Exhibition: Provincetown Art Association and Museum, June, 2010.

Precio de Galería: $70,000 USD

Numero de Edición: Original

Certificado de Autenticidad: Art Brokerage

Enmarcado con Plexiglás Gold colored frame

Firmado a Mano Large Signature on back by Artist

Numero de Edición: Original

Certificado de Autenticidad: Art Brokerage

Enmarcado sin Vidrio Black frame

No Firmado

Procedencia / Historia: Purchased from the artist in 1992.

Numero de Edición: Original

Certificado de Autenticidad: Art Brokerage

No Enmarcado

Firmado a Mano Upper right

No Enmarcado mounted on canvas

Firmado a Mano

Procedencia / Historia: Dated by Haring. No Paperwork, the Haring Foundation does not yet authenticate the subway drawings. . However, Elizabeth Sussman (Curator of Haring Show) and Whitney and Julia Gruen (Dir. Haring Foundation) and Phillips DePury experts all agree it is an excellent example of Haring's subway works of this period.Seller took the drawings off the wall of the 42nd Street, Times Square Subway station in 1984. The drawings are mounted on canvas side by side, as they were originally displayed. Seller will give notarized letter with sale.

Numero de Edición: Original

Certificado de Autenticidad: Stamford CT Auction House

Enmarcado con Vidrio Wood frame original

Firmado a Mano

Procedencia / Historia: Purchased at auction.

Precio de Galería: $45,000 USD

Numero de Edición: Original

Certificado de Autenticidad: Art Brokerage

Enmarcado con Plexiglás Silver metal frame, floated showing full sheet

Firmado a Mano Initialed

Procedencia / Historia: From the private collection of Alan R. Solomon important art historian, educator (Cornell), curator and museum director (The Jewish Museum, NY). Famous for his quote

Numero de Edición: Original

Certificado de Autenticidad: Art Brokerage

Enmarcado con Plexiglás Silver metal frame, floated showing full sheet

Firmado a Mano Initialed

Procedencia / Historia: From the private collection of Alan R. Solomon important art historian, educator (Cornell), curator and museum director (The Jewish Museum, NY). Famous for his quote

Numero de Edición: Original

Certificado de Autenticidad: Art Brokerage

Enmarcado con Plexiglás Framed with silk, and filets

Firmado a Mano Signed and dated upper right, also signed verso

Procedencia / Historia: From a well established Mexico City collector.

Precio de Galería: $60,000 USD

Enmarcado con Vidrio See photos

Firmado a Mano

Procedencia / Historia: Seller has paperwork needed, but as any subway buyer knows the Haring foundation does not support the subway works yet.